Journal of Iranian Handicrafts Studies

Journal of Iranian Handicrafts Studies

Journal of Iranian Handicrafts Studies (Honar-haye Sana'ee-ye Iran)

Journal Status

According to the Ministry of Science, Research and Technology’s declaration issued in 1395/3/22 and numbered 54805/18/3, the Journal of Iranian Handicrafts Studies was granted full Academic-Research status by the ministry’s publication committee.

is an academic, peer-reviewed journal funded by University of Kashan  Research Council. The Journal fully endorses and adheres to regulations of Cope (committee on publishing ethics) and those of Iran’s Ministry of Science and Technology. It is an open-access journal, and articles can be downloaded freely by readers.

Journal short name: HSI

Publication frequency: biannual

APC: 4,000,000 Iranian Rial (900,000 for first review, 3,100,000 after final acceptance of the article; in special case of a third review, 450,000 Rial will be added to the processing charge)

Review: Double-blind peer-review

Review duration: up to 4 months

Open Access: Yes

Publication format: in print; electronic

Language: Persian

Publication Ethics

The ethical policy of the journal has been developed based on the Committee on Publication Ethics (COPE) guidelines, and all readers, authors, reviewers and editors are expected to comply with this policy. Needless to say, failure to comply with the ethical code of the journal on the part of the authors will result in the removal of the article from the publication process. 

Plagiarism

The members of the Editorial Board have a strict policy against plagiarism; hence, authors before sending their manuscript to the Journal should check the originality of the article by Irandak (plagiarism detection service) and upload the issued document in the Journal site. If the file is not enclosed or the document is incomplete, the article will not be reviewed and will be sent back to the author.

Contacts

In case of queries, authors can send their messages either to Journal’s e-mails or to Journal’s Whatsapp Number: 09218748849.

Journal’s e-mail: hsi@kashanu.ac.ir

Director-in-Charge’s e-mail: abbasakbari@kashanu.ac.ir

 Executive Manager’s e-mail: arabbeigi@kashanu.ac.ir

Indexing and Abstracting

Noormags

 Google Scholar 

CIVILICA

Magiran

Plagiarism

The members of the Editorial Board have a strict policy against plagiarism; hence before sending the manuscript to the journal, the originality of the article should be checked by Irandak service. Later, if it is proved that an article has been founded on plagiarism, the author(s) will be blacklisted and the term “plagiarist(s)” with be written in front of the(ir) name(s).

Article Ownership

Authors whose articles are published by HSI are the copyright owners.

Necessity of ORCID Code for Authors

Authors, after registering in https://orcid.org  and receiving their personal ORCID code, should type it in at the time of on-line registration.

 

Necessity of Membership in Publons for Reviewers

 

 

  • Please after receiving the thank-you e-mail of the Journal for the review, forward this e-mail to reviews@publons.com.

 

  • The guideline for registration in Publons is available in Reviewers’ Section.

 

  • In case of queries, please send your requests either to Journal’s e-mail or to Journal’s Whatsapp number (09218748849). Please avoid calling this number.
Current Issue: Volume 8, Issue 1 - Serial Number 14, September 2025, Pages 5-229 (14) 

Publication Information

Publisher

Director-in-Charge
Editor-in-Chief
Executive Manager
Editorial Board
International Editorial Board
Executive Director
Page Designer
English Text Editor

Frequency
Semiannual
Print ISSN
Online ISSN

Indexing and Abstracting

Keywords Cloud

  • Motifs
  • Handicrafts
  • Qajar
  • Safavid Era
  • Islamic Art
  • Qajar Period
  • Discourse Analysis
  • Safavid Period
  • Pottery
  • traditional arts
  • Symbolism
  • Iran
  • Textile
  • Islamic Pottery
  • Qajar art
  • Safavid
  • Travelogue
  • Myth
  • Motif
  • Mysticism
  • Pahlavi
  • Carpet
  • Nishapur
  • Technology
  • Islamic period
  • scenario writing
  • Ethnography
  • Kashan
  • Decorations
  • Applied Arts
  • Mina’i
  • Content
  • Ornaments
  • Iranian Identity
  • narrative
  • nomadic carpets
  • Khuzestan
  • Painting
  • Architecture
  • western tourists
  • Qashqai nomads
  • symbol
  • Mural
  • Color
  • Iranian pottery
  • Iconology
  • Pathology
  • Typology
  • dragon
  • Imitation
  • coloring
  • pattern
  • Ilkhanid
  • Tehran
  • Isfahan
  • Qajar Era
  • National museum of Iran
  • identity
  • Form
  • Geometry
  • Contemporary Period
  • futures studies
  • Handmade Carpet
  • Nasir al-Mulk Mosque
  • Mamluk’s art
  • Peacock motif
  • Art Developments
  • Keywords: mihrab rug with written elements
  • wooden box
  • Formology and symbolism
  • \"Howz and Jamek\" pattern
  • Haft-Rang Tile Motifs
  • Royal jewelry
  • Qajar tile making
  • self-awareness
  • Imaginative criticism
  • Globalization
  • Calligraphy Ink
  • Persian Painting
  • Comparative Structural
  • Gender and Space
  • Majnun in the desert
  • Aigrette
  • Siyāvosh
  • Allah Vardi Khan
  • Mi\'raj of Muhammad the Prophet
  • Local Handicrafts
  • pre-Islam Iran
  • Timurid period
  • Elamite Art
  • Qajar tiling
  • Aja\'ib al-Makhluqat & Ghara\'ib al-Mawjudat
  • Iranian motifs
  • head-medallions
  • Making ink
  • pictorial weaving
  • Iranian rug
  • Ghiyath alDin Jamshid Kashani\"
  • Luster-glazed
  • Blowing
  • First Millennium BC
  • Salting carpet
  • Form and motif of Tabarzin
  • Ebrahimi House
  • Qajar buildings
  • Horse Totem
  • sign
  • Grivar inscription
  • court iconography
  • card playing
  • Wooden cenotaph
  • tree
  • Mosaic Tile
  • National Treasury of Iran
  • Ghiyathiyya School of Khaf\"
  • Licha tomb
  • artisan
  • Tomb box
  • Private Samāvi Collection
  • Filigree
  • Sheikh Safi al-Din Ardabili
  • Islamic Calligraphy
  • Concept of blessing
  • Architectural Decorations
  • Pakistan
  • Handicrafts Education
  • Baluch embroidery
  • the truth of Muhammadiyah
  • Safavid Brocaded Textiles
  • Powerhouse Museum
  • Functional Vessels
  • Van
  • monkey constellation
  • Posht-e Mashad
  • Intertextual reading
  • Gilding
  • Bakhtiari Pictorial Carpet
  • Basketry
  • Weaving Giveh
  • grave cover
  • Single glazed
  • Textile Weaving
  • design structure
  • royal ornaments
  • Kerman carpet designs and motifs
  • Naqqāreh-Khāneh (Drum House)
  • Iranian Carpet Museum
  • Wooden arts
  • Luristan Iron Age bowl
  • Gem Engraving
  • Development
  • Khalilzadeh House
  • Branding
  • Color Oxides
  • ceramic technology
  • Lattice
  • Camp
  • 3rd and 4th Centuries AH (9th and 10th Centuries AD)
  • Timurid architecture
  • Masouleh
  • VaraminMinakhani
  • Muqarnas
  • Mirza Baba (Painter)
  • Jol weaving
  • Holy Shrine of Fatima Masumeh (PBUH)
  • Bakhtiāri Gabbeh
  • Hosseinieh Mojtahe
  • Iranian carpets
  • macrocosm
  • Luster-glaze
  • Iranian Art
  • Qajar Tile-work
  • Chardin
  • Mashhad City
  • Kashan traditional houses
  • Balouchi embroidery
  • Alkali-Boron Glaze
  • Iwan-i-Maqsura
  • handwoven carpet
  • political advice
  • Faridun
  • carpets
  • traditional patterns
  • wooden works
  • Qāli Paru
  • Saggar Firing
  • Sheikh Abdol Hussein Mosque
  • Multicultural
  • brackets
  • Savad\'s artistic style
  • wooden pulpit
  • ornaments and motifs
  • lusterware pottery
  • Co-creation
  • Pre-Islamic Glass
  • Iranian Painting
  • Spirituality in Art
  • Nizami Ganjavi
  • Khamsa of Shah Tahmasp
  • altar