نویسنده
گروه صنایعدستی. دانشگاه هنر ایران. شهر تهران. ایران
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسنده [English]
After the Mongol invasion, the settlements of the Iranian countries began to decline, an event that the Ilkhans noticed after the second invasion, and as a result, the urban and desert cultures were mixed. Iranian ministers have marked the victory of the pen over the sword, and the arts are expanding and growing. Fifteen wooden works in the form of a chest, door, pulpit, and lectern tell about the survival of this art among the people. On the one hand, his religious tolerance and conversion to Islam from Qazan, on the other hand, led to the prosperity of religious works. The present article seeks to explain the artistic and technical characteristics of inlaid works of the 7th and 8th centuries of Hijri and seeks to answer the question, what are the artistic and technical characteristics of inlaid works of the 7th and 8th centuries of Hijri? The research method has a descriptive-analytical nature with a fundamental purpose, and data collection is library and especially field. Sampling, counting includes fifteen wooden works belonging to this period. The findings show that Iranian inlaid art has grown and developed in this period. The inscriptions are in the form of raqa, thulth, and naskh, and the geometrical knots are embellished with plant elements. The plant elements are mainly very delicate slime, which has abundantly shown button-like inlays. The use of cedar and Chiragdan is probably on the way to the development of Sufism, and in some motifs, it is influenced by ancient Iran. The method of paving is mostly convex, although pseudo-plaster carvings were also observed in the works. From the middle of the 8th century, plant elements became abundant and set the stage for the golden age of Iranian woodcarving art.
کلیدواژهها [English]
)