نویسندگان
1 استادیار- گروه صنایع دستی- دانشگاه بیرجند- بیرجند- ایران
2 دانشیار، گروه صنایعدستی، دانشگاه هنر اصفهان، اصفهان، ایران
3 دانشیار، گروه پژوهش هنر، دانشگاه هنرایران، تهران، ایران،
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
The pottery and ceramic biennials in the years 1360-1400 were a context of the intertwining of artistic trends with social changes. Iran experienced four decades of ups and downs in social changes, and artists achieved different and diverse experiences in this turmoil. Artists do not only reflect changes in their works, but also shape identities that simultaneously show the stability of identity against the instability of conditions, and the historicity of identity against the contemporary situation in their works, and in this way express cultural interpretations and narratives in works of art. This article pursues the questions of how biennials became an arena for artists to compete in their narratives of traditional-contemporary identity, and historical-modern art in the four decades 1360-1400? How were pottery artists affected by social and cultural changes, and what semantic implications did pottery works have in the biennials? Answering these questions will shed more light on the intertwining of the history of pottery developments and social developments in Iran.
The methodology of the article is based on discourse analysis; discourse analysis shows how signs, texts, works, and events are formulated around a central signifier that expresses a central idea and stabilize a cultural discourse. In this article, we will also address five dominant discourses that drove Iran’s cultural developments and influenced events, trends, biennials, and works of art. These discourses were: discourse of cultural revolution, cultural invasion, cultural interaction, cultural engineering, and cultural .
research findings showed that the pottery biennial is an arena of confrontation and conflict between identity narratives: the conflict between traditional/modern art, religious art/national art, naturalistic art/abstract art, global art/native art, applied art/pure art; A conflict that ultimately led to the formation of new meanings in the movement of committed art, religious art, critical art, feminist art, and other contemporary artistic experiences.
کلیدواژهها [English]
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