نوع مقاله : مقاله پژوهشی
نویسندگان
1 کارشناسی ارشد هنر اسلامی، گرایش مطالعات تطبیقی، دانشکده صنایع دستی، دانشگاه هنر اصفهان، اصفهان، ایران
2 دانشیار گروه هنر اسلامی، دانشکده صنایع دستی، دانشگاه هنر اصفهان، اصفهان، ایران
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
One of the manifestations of artistic activities is the production of textiles and related accessories such as clothing and decorative fabrics and functional necessities, which have changed during different periods including Qajar. Throughout this period, vast number of arts, including textile design, has been influenced by many factors such as political and social developments. Accordingly, it seems necessary to mention that discourse approaches have transformed a lot of social structures of power. The discourse analysis approach considers the tools and functions of the power network as a method which influences the structural form of the social system using defined mechanisms. Furthermore, it enables the discovery of meaning and understanding of actions that are systematically unknown for many people. The present study seeks to find out which effects the structure of the ruling power in Qajar period had on the textiles. This research is qualitative (descriptive-analytical) and the theoretical framework of the research is based on the discourse analysis approach. In the current study, 12 samples of fabrics in museums were examined by discourse analysis method using observation tools and a purposeful sampling method. It is noteworthy that the ruling power had the most significant effect on color, material, and texture. This study examined the fabrics of Qajar period by representing these effects. Findings indicated that the military, political and social formation of the rulers of Qajar period was effective on the textiles production in this period and the system of textile production and consumption had undergone special changes following the effects of the discourse of the ruling power of the society.
کلیدواژه‌ها [English]
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