Abdullah Khan MemarThe Rupture of ‘Iranian Handicrafts’ from ‘Fine Arts’ in Qajar’s Royal Discourse with an Emphasis on the Binary Opposition of ‘Fine Arts vs. Applied Arts’ [Volume 5, Issue 2, 2022, Pages 129-140]
Applied ArtsThe Rupture of ‘Iranian Handicrafts’ from ‘Fine Arts’ in Qajar’s Royal Discourse with an Emphasis on the Binary Opposition of ‘Fine Arts vs. Applied Arts’ [Volume 5, Issue 2, 2022, Pages 129-140]
Arab peopleAn Ethnographic Study of Basketry (Mat Weaving Products) by Arab Ethnicity in Khuzestan [Volume 5, Issue 1, 2022, Pages 59-74]
B
Balouchi embroideryA Comparative Study of Centripetal Motifs and of their Performance in Balouchi-douzi in Iran and Pakistan [Volume 5, Issue 2, 2022, Pages 5-20]
Balouchi motifsA Comparative Study of Centripetal Motifs and of their Performance in Balouchi-douzi in Iran and Pakistan [Volume 5, Issue 2, 2022, Pages 5-20]
BasketryAn Ethnographic Study of Basketry (Mat Weaving Products) by Arab Ethnicity in Khuzestan [Volume 5, Issue 1, 2022, Pages 59-74]
BlowingThe Study of Glass-making Techniques from Achaemenid Era to Timurid Period in Iran [Volume 5, Issue 2, 2022, Pages 167-178]
BolbolGol-o-Bolbol: The Transformation of the Sacred Plant in Iranian Art [Volume 5, Issue 2, 2022, Pages 101-114]
C
CarpetThe Association of Medallion and Head-Medallion of Iranian Carpet with the Truth of Muhammadiyah (in Carpets of the Safavid era) [Volume 5, Issue 1, 2022, Pages 139-154]
ColorA Study on Mysticism of Light, Color and Geometry in Sashes (Orosies) of the Western Shabestan of the Nasir al-Molk Mosque in Shiraz [Volume 5, Issue 1, 2022, Pages 101-110]
Contemporary handicraftsA Re-definition of Iranian Handicrafts from the Perspective of Future Research [Volume 5, Issue 1, 2022, Pages 19-32]
D
DecorationsRecognition of Designs and Motifs of Architectural Windcatchers and Openings Native to City of Bastak [Volume 5, Issue 2, 2022, Pages 115-128]
Decorative formsRecognition of Designs and Motifs of Architectural Windcatchers and Openings Native to City of Bastak [Volume 5, Issue 2, 2022, Pages 115-128]
Discourse AnalysisThe Rupture of ‘Iranian Handicrafts’ from ‘Fine Arts’ in Qajar’s Royal Discourse with an Emphasis on the Binary Opposition of ‘Fine Arts vs. Applied Arts’ [Volume 5, Issue 2, 2022, Pages 129-140]
DocumentaryThe Documentation of Issues on Iranian Carpets in Travelogues Written by Western Travelers in the Qajar Era [Volume 5, Issue 1, 2022, Pages 33-46]
E
Earth factorThe Patterns of Miraj Illustration in Ilkhanid and Timurid Eras: A Re-reading of Visual Patterns of Miraj regarding Concepts of ‘Earth’ and ‘Boraq’ in Mirajyeh Texts [Volume 5, Issue 1, 2022, Pages 111-124]
EntrepreneurshipA Re-definition of Iranian Handicrafts from the Perspective of Future Research [Volume 5, Issue 1, 2022, Pages 19-32]
European collectionsInvestigating the Factors Affecting Europeans’ Collection of the Carpets Weaved in the Safavid Era (the Tenth and Eleventh Centuries AH) [Volume 5, Issue 2, 2022, Pages 49-64]
EuropeansInvestigating the Factors Affecting Europeans’ Collection of the Carpets Weaved in the Safavid Era (the Tenth and Eleventh Centuries AH) [Volume 5, Issue 2, 2022, Pages 49-64]
F
Fine ArtsThe Rupture of ‘Iranian Handicrafts’ from ‘Fine Arts’ in Qajar’s Royal Discourse with an Emphasis on the Binary Opposition of ‘Fine Arts vs. Applied Arts’ [Volume 5, Issue 2, 2022, Pages 129-140]
FormLost Paradise: A Study of Peacock Motifs in the Exterior of Monuments in Isfahan [Volume 5, Issue 1, 2022, Pages 89-100]
Future researchA Re-definition of Iranian Handicrafts from the Perspective of Future Research [Volume 5, Issue 1, 2022, Pages 19-32]
G
GeometryA Study on Mysticism of Light, Color and Geometry in Sashes (Orosies) of the Western Shabestan of the Nasir al-Molk Mosque in Shiraz [Volume 5, Issue 1, 2022, Pages 101-110]
Glass HistoryThe Study of Glass-making Techniques from Achaemenid Era to Timurid Period in Iran [Volume 5, Issue 2, 2022, Pages 167-178]
Golestani designA Study and an Analysis of Visual Components of Golestani Design of Tabriz’s Contemporary Carpets (in the Recent Century) through an Aesthetic Perspective [Volume 5, Issue 2, 2022, Pages 21-34]
H
HandicraftsAn Ethnographic Study of Basketry (Mat Weaving Products) by Arab Ethnicity in Khuzestan [Volume 5, Issue 1, 2022, Pages 59-74]
HandicraftsThe Rupture of ‘Iranian Handicrafts’ from ‘Fine Arts’ in Qajar’s Royal Discourse with an Emphasis on the Binary Opposition of ‘Fine Arts vs. Applied Arts’ [Volume 5, Issue 2, 2022, Pages 129-140]
I
Ilkhanid miniaturesThe Patterns of Miraj Illustration in Ilkhanid and Timurid Eras: A Re-reading of Visual Patterns of Miraj regarding Concepts of ‘Earth’ and ‘Boraq’ in Mirajyeh Texts [Volume 5, Issue 1, 2022, Pages 111-124]
IranA Comparative Study of Centripetal Motifs and of their Performance in Balouchi-douzi in Iran and Pakistan [Volume 5, Issue 2, 2022, Pages 5-20]
Iranian glass-makingThe Study of Glass-making Techniques from Achaemenid Era to Timurid Period in Iran [Volume 5, Issue 2, 2022, Pages 167-178]
Iranian rugA Re-reading of Motherland (Mam-e Vatan) Rug from the Perspective of Social Semiotics [Volume 5, Issue 2, 2022, Pages 83-100]
K
KashanA Review of the Typology of the Animal Motifs of Middle-Century Luster Potteries of Kashan Available in the Glassware and Ceramic Museum of Iran [Volume 5, Issue 1, 2022, Pages 125-138]
Kashan buildingsTypology of Zomoudgari Works Installed on the Entrance Doors of Qajar Buildings in Kashan [Volume 5, Issue 2, 2022, Pages 65-82]
Kerman engravingExplaining the Technical and Artistic Features of Engraving in Prominent Regions of Contemporary Iran [Volume 5, Issue 1, 2022, Pages 155-170]
KhuzestanAn Ethnographic Study of Basketry (Mat Weaving Products) by Arab Ethnicity in Khuzestan [Volume 5, Issue 1, 2022, Pages 59-74]
L
Leili and MajnoonVisual Expresiion of Metaphor of ‘Reed’ (Ney) in Leili and Majnoon's Miniatures [Volume 5, Issue 1, 2022, Pages 5-18]
M
Metal engravingExplaining the Technical and Artistic Features of Engraving in Prominent Regions of Contemporary Iran [Volume 5, Issue 1, 2022, Pages 155-170]
Metaphor of Reed (Ney)Visual Expresiion of Metaphor of ‘Reed’ (Ney) in Leili and Majnoon's Miniatures [Volume 5, Issue 1, 2022, Pages 5-18]
MirajThe Patterns of Miraj Illustration in Ilkhanid and Timurid Eras: A Re-reading of Visual Patterns of Miraj regarding Concepts of ‘Earth’ and ‘Boraq’ in Mirajyeh Texts [Volume 5, Issue 1, 2022, Pages 111-124]
MysticismVisual Expresiion of Metaphor of ‘Reed’ (Ney) in Leili and Majnoon's Miniatures [Volume 5, Issue 1, 2022, Pages 5-18]
MysticismA Study on Mysticism of Light, Color and Geometry in Sashes (Orosies) of the Western Shabestan of the Nasir al-Molk Mosque in Shiraz [Volume 5, Issue 1, 2022, Pages 101-110]
N
Nasir al-Mulk MosqueA Study on Mysticism of Light, Color and Geometry in Sashes (Orosies) of the Western Shabestan of the Nasir al-Molk Mosque in Shiraz [Volume 5, Issue 1, 2022, Pages 101-110]
P
PakistanA Comparative Study of Centripetal Motifs and of their Performance in Balouchi-douzi in Iran and Pakistan [Volume 5, Issue 2, 2022, Pages 5-20]
Peacock motifLost Paradise: A Study of Peacock Motifs in the Exterior of Monuments in Isfahan [Volume 5, Issue 1, 2022, Pages 89-100]
Persian carpetsInvestigating the Factors Affecting Europeans’ Collection of the Carpets Weaved in the Safavid Era (the Tenth and Eleventh Centuries AH) [Volume 5, Issue 2, 2022, Pages 49-64]
Persian miniaturistsVisual Expresiion of Metaphor of ‘Reed’ (Ney) in Leili and Majnoon's Miniatures [Volume 5, Issue 1, 2022, Pages 5-18]
Persian rugsInvestigating the Factors Affecting Europeans’ Collection of the Carpets Weaved in the Safavid Era (the Tenth and Eleventh Centuries AH) [Volume 5, Issue 2, 2022, Pages 49-64]
PowerA Re-reading of Motherland (Mam-e Vatan) Rug from the Perspective of Social Semiotics [Volume 5, Issue 2, 2022, Pages 83-100]
Q
QajarAn Investigation of the Role of Prophets in World-leader Carpet Woven during the Qajar Era in Milani’s Factory in Kerman [Volume 5, Issue 2, 2022, Pages 155-166]
Qajar artTypology of Zomoudgari Works Installed on the Entrance Doors of Qajar Buildings in Kashan [Volume 5, Issue 2, 2022, Pages 65-82]
Qajar EraThe Assessment of Structural Characteristics of Wooden Decorations in Two Qajarid Mosques in Tehran [Volume 5, Issue 1, 2022, Pages 47-58]
Qajar PeriodThe Documentation of Issues on Iranian Carpets in Travelogues Written by Western Travelers in the Qajar Era [Volume 5, Issue 1, 2022, Pages 33-46]
Qajar royal discourseThe Rupture of ‘Iranian Handicrafts’ from ‘Fine Arts’ in Qajar’s Royal Discourse with an Emphasis on the Binary Opposition of ‘Fine Arts vs. Applied Arts’ [Volume 5, Issue 2, 2022, Pages 129-140]
S
Safavid EraInvestigating the Factors Affecting Europeans’ Collection of the Carpets Weaved in the Safavid Era (the Tenth and Eleventh Centuries AH) [Volume 5, Issue 2, 2022, Pages 49-64]
SanctityAn Ethnographic Study of Basketry (Mat Weaving Products) by Arab Ethnicity in Khuzestan [Volume 5, Issue 1, 2022, Pages 59-74]
Shah MosqueThe Assessment of Structural Characteristics of Wooden Decorations in Two Qajarid Mosques in Tehran [Volume 5, Issue 1, 2022, Pages 47-58]
Sheikh Abdol Hussein MosqueThe Assessment of Structural Characteristics of Wooden Decorations in Two Qajarid Mosques in Tehran [Volume 5, Issue 1, 2022, Pages 47-58]
Shia mysticismThe Association of Medallion and Head-Medallion of Iranian Carpet with the Truth of Muhammadiyah (in Carpets of the Safavid era) [Volume 5, Issue 1, 2022, Pages 139-154]
SistanAn Elaboration on Design Bases and Visual Capacities of Sistan’s Khomak-douzi [Volume 5, Issue 2, 2022, Pages 141-154]
T
Tabas engravingExplaining the Technical and Artistic Features of Engraving in Prominent Regions of Contemporary Iran [Volume 5, Issue 1, 2022, Pages 155-170]
Tabriz engravingExplaining the Technical and Artistic Features of Engraving in Prominent Regions of Contemporary Iran [Volume 5, Issue 1, 2022, Pages 155-170]
Tabriz’s contemporary carpetA Study and an Analysis of Visual Components of Golestani Design of Tabriz’s Contemporary Carpets (in the Recent Century) through an Aesthetic Perspective [Volume 5, Issue 2, 2022, Pages 21-34]
Tail rodThe Study of Glass-making Techniques from Achaemenid Era to Timurid Period in Iran [Volume 5, Issue 2, 2022, Pages 167-178]
Teaching methodEvaluation of Guided Exploratory Teaching Method in Teaching Geometry of Patterns to Undergraduate Students of Handicrafts [Volume 5, Issue 1, 2022, Pages 75-88]
TechniquesThe Study of Glass-making Techniques from Achaemenid Era to Timurid Period in Iran [Volume 5, Issue 2, 2022, Pages 167-178]
TehranThe Assessment of Structural Characteristics of Wooden Decorations in Two Qajarid Mosques in Tehran [Volume 5, Issue 1, 2022, Pages 47-58]
Timurid miniaturesThe Patterns of Miraj Illustration in Ilkhanid and Timurid Eras: A Re-reading of Visual Patterns of Miraj regarding Concepts of ‘Earth’ and ‘Boraq’ in Mirajyeh Texts [Volume 5, Issue 1, 2022, Pages 111-124]
Timurid periodRecognizing Methods of Making and Decorating the Wooden Chest of Ulugh Beg in Topkapi Sarai Museum [Volume 5, Issue 2, 2022, Pages 35-48]
TravelogueThe Documentation of Issues on Iranian Carpets in Travelogues Written by Western Travelers in the Qajar Era [Volume 5, Issue 1, 2022, Pages 33-46]
TypologyTypology of Zomoudgari Works Installed on the Entrance Doors of Qajar Buildings in Kashan [Volume 5, Issue 2, 2022, Pages 65-82]
U
Ulugh BegRecognizing Methods of Making and Decorating the Wooden Chest of Ulugh Beg in Topkapi Sarai Museum [Volume 5, Issue 2, 2022, Pages 35-48]
W
Wooden artsThe Assessment of Structural Characteristics of Wooden Decorations in Two Qajarid Mosques in Tehran [Volume 5, Issue 1, 2022, Pages 47-58]
Y
Yazd engravingExplaining the Technical and Artistic Features of Engraving in Prominent Regions of Contemporary Iran [Volume 5, Issue 1, 2022, Pages 155-170]
Z
Zanjan engravingExplaining the Technical and Artistic Features of Engraving in Prominent Regions of Contemporary Iran [Volume 5, Issue 1, 2022, Pages 155-170]
ZomudgariTypology of Zomoudgari Works Installed on the Entrance Doors of Qajar Buildings in Kashan [Volume 5, Issue 2, 2022, Pages 65-82]